I stood at the doorway to the large conference room,
greeting latecomers trickling back into the ReWeaving NC convergence. I tried
to look as reassuring as possible, as many individuals hesitated for a moment
in confusion. Over lunch the room had been converted from a discussion room,
chairs were stacked against the walls, and fifty grown ups were walking around
the room in bent-over elephant impersonations. This became explicable to newcomers
as Alyzza May, my co-facilitator / wonderful new friend would shout the next
invitation, “Now walk like your shoes are too big for you. Yes, good! Fill up
the room; keep moving towards open spaces.”
Laughter began to shake off the discomfort as serious
conference participants one by one gave themselves permission to be playful.
“Okay, walk like you’re late for a very important meeting about the New
Economy!” Now a shared sense of familiarity and a certain self-effacing irony
washed through the room, more laughter and lots of rushing. One man, who
remained stationed in a chair on the periphery, began to smile.
Warning. This paragraph contains a ranty not that well articulated political aside. It doesn't feel quite right in the story, and yet I didn't have the heart to take it out. Maybe it's a great example of how words can get in the way of sharing an idea...
It’s easy in Canada to sit in cynicism of the entire American economic system – the sell out of homes and retirement funds by wall street executives, the endless powers of these fictional invented persons – corporations - that have no eyes or hearts for the masses without medical care, for the beauty of the Earth, only an insatiable hunger to profit. Of course Canada is generally complicit in this system that functions according to one fundamental false-premise of the modern-industrial era (a logic that is already collapsing upon itself) – the idea that the environment is a set of inputs within the economy. I.e. A tree has no worth until it is cut and counted. The great truth is that our economy (like all human-made concepts) is contained within the precious system of the living earth. Whether we ‘know’ it or not, we feel deep within our lungs the unquantifiable value of standing, breathing trees.
It’s easy in Canada to sit in cynicism of the entire American economic system – the sell out of homes and retirement funds by wall street executives, the endless powers of these fictional invented persons – corporations - that have no eyes or hearts for the masses without medical care, for the beauty of the Earth, only an insatiable hunger to profit. Of course Canada is generally complicit in this system that functions according to one fundamental false-premise of the modern-industrial era (a logic that is already collapsing upon itself) – the idea that the environment is a set of inputs within the economy. I.e. A tree has no worth until it is cut and counted. The great truth is that our economy (like all human-made concepts) is contained within the precious system of the living earth. Whether we ‘know’ it or not, we feel deep within our lungs the unquantifiable value of standing, breathing trees.
It’s easy to feel doomed. But here was a mass of people, each
bearing stories of engagement in creative and compelling change projects. Some
target various institutions – welfare, banks, and government. Others are growing
up new systems in the cracks of the old – worker cooperatives buying out
abandoned businesses, mothers on welfare starting day care coops, private
micro-loans helping small organic farmers stay on the land. We were gathered at the University of North Carolina, Greensboro to share
inspiration about the transition to new economic systems, to network and weave
these strategies together. Listening to their stories and their “yes we can”
attitudes, I started to become truly inspired. I started to believe that they (we)
could actually succeed.
After some further warm ups to get people into their bodies,
and in gentle contact with others in the room, we began the Image Theatre work
(one branch of Augusto Boal’s Theatre of the Oppressed methodology which Alyzza and I studied with Marc Weinblatt).
Rather than diving right into images of a desired
future, we thought it important to give space for the stories of suffering
interwoven with the desire for change. As people sculpted each other into still
images from their own struggles within the old /collapsing economy we saw several
people, backs to each other typing, while a standing person points behind one’s
back.
In another image several people lie splayed out on the floor around a figure that stood with their fists in the air,
eyes dead set ahead, and a cold expression.
Before the end we would start to ‘dynamize’ the images to
begin revealing the participants own instincts and desires around steps needed
to move from these images into the transitional space, leading towards a ‘new
economy’. One theme that clearly emerged was the need to be wary of repeating
past injustices in the urgency of change.
To be honest though, themes weren’t that well discussed.
Though I’d used TO activities in workshops before,
this was my first start-to-finish TO workshop. It's fairly new to Alyzza too. We were so interested in working with the images and embodied aspects; we
may have neglected the dialogue and meaning making somewhat. This is an important
learning curve with TO for me, to find the proper balance of activity and reflection. Part of the intention of the work is to ground our analyses in embodied wisdom.
I’ve spent many years walking the long road between my mind
and the rest of me. Along this quest I was exposed to Image Theatre at a
workshop and within minutes I had fallen in love with the graceful power of the
method. Just as a 2D picture is ‘worth a thousand words’, human sculptures
reach between the veils of words that so often obscure human communication. Truth
gets pulled right out into the shared space. There are moments when the crowd
viscerally senses itself as the people ‘see together’ suddenly emerge in an
image. You can feel it resonate, (and sense where there is discord) very
quickly. Often it is something everyone already knew without being able to say
directly. Usually there is an effect, something like – we all just became more ‘human’
together.
As the conference progressed, I continued to have a strange
feeling… something felt different. There was a vague sense of
uncomfortable…loneliness…hesitancy, creeping through me. At first I thought it
was simply nerves about leading TO, or just my being new to the scene here. It was subtle; things seemed similar enough on the surface - the scene of a conference at a university - that it was hard to see at first. But shortly I realized that there was actually a different cultural reality here than I’m
used to, duh right?! Definitely the tone and norms around race relations felt different somehow
to me.
Tracking into this feeling led me on a rapid self-education over the
last couple weeks on civil rights, slavery and the history of the world – and
helped me to better see the place I am standing in, and re-understand myself,
and my ‘whiteness’ in this new setting. I will share about this in my next
post.
Alyzza and I really enjoyed working together so we decided
to do more before I leave the area. We’re going to run a two part Theatre of the Oppressed series. Without the frame of a conference, we will be
free to explore whatever the burning issues come from the people, whatever they
struggle with in their lives. In the first session we will explore these themes
with image work, much as we did at the conference. In the second session we
will create Forum Theatre plays on these themes, another branch of TO in which
a play shows a microcosm moment of a social justice issue and then the audience
becomes spect-actors, trying out different ideas for resolutions that people
could actually take back out into their lives with them.
New economies of co-liberation,
~Sab
Still on Frankie’s farm!...somewhere North of Siler City, NC


